Soundtrack - Ano Natsu He
246,933 plays

typette:

cmtilney:

I don’t know why, this song always makes me feel sad…

image

it’s sad because it reminds you that every great adventure has to end, you must say goodbye to every friend eventually, and that the power of these experiences will live on only in your memories, and even if you do forget…. they live on through your actions and choices from then on.

so I guess in a way, they never really die. This is why my goal in life is to make good movies; to make adventures for people to experience, and for that experience to live forever in them.

After all you haven’t forgotten what you’ve learned from Spirited Away even if you’ve never put it into words, right??

fallen-angel-castiella:

joanne-angel-of-pizza-n-pancakes:

foreverforelsket:

someone on here actually has the same kind of tummy as me and she looks beautiful and I started to cry a little because I never see pretty models with my tummy wow

THEY LOOK SO PRETTY 

Seeing these pictures on here, and seeing how confident these beautiful women look make me realize that I don’t have to diet myself to 100 pounds to be pretty and confident.

*spends two hours on character creation*
me: ok they look good enough
*starts game and sees beginning cutscene*
me:
me: no
sean-codyvevo:

bored-no-more:

Sand storm, it’s just a storm …. wait who turned off the light?

OMG THIS IS HORRIFYING

sean-codyvevo:

bored-no-more:

Sand storm, it’s just a storm …. wait who turned off the light?

OMG THIS IS HORRIFYING

aconnormanning:

prokopetz:

anarchydiver:

The reason why the room was pink was because on black and white film, hues of red become dark shades of black. Pink is the perfect balance to give it that dark creepy grey.
PHOTOGRAPHY BITCHES

A related fun fact: while old black and white film was under-sensitive to reds, it was correspondingly over-sensitive to greens. Actors whose characters were meant to have unnaturally pale complexions - like Morticia Addams - would often take advantage of this by wearing makeup with a green base tint in order to make their faces “pop”. This is where the modern trope of cartoon vampires having green skin comes from.

These are some fun fucking facts

aconnormanning:

prokopetz:

anarchydiver:

The reason why the room was pink was because on black and white film, hues of red become dark shades of black. Pink is the perfect balance to give it that dark creepy grey.

PHOTOGRAPHY BITCHES

A related fun fact: while old black and white film was under-sensitive to reds, it was correspondingly over-sensitive to greens. Actors whose characters were meant to have unnaturally pale complexions - like Morticia Addams - would often take advantage of this by wearing makeup with a green base tint in order to make their faces “pop”. This is where the modern trope of cartoon vampires having green skin comes from.

These are some fun fucking facts

femmenace-t:

pervocracy:

postwhitesociety:

hm

I think the “women are mysterious” thing can also come from:
1) Women actually being quite clear, but not telling men what they want to hear.  ”She said she doesn’t want to talk to me?  So many mixed messages and confusing signals!”
2) Women not having cheat codes.  ”I tried being nice, and she didn’t have sex with me.  I tried being an asshole, and she didn’t have sex with me.  Come on, there’s got to be some kind of solution to this puzzle!”
3) Women not being a hive mind.  ”First a woman told me that she likes guys with big muscles.  Then the very next day a woman told me she thinks muscles aren’t attractive at all.  Make up your mind, women!”
4) An individual woman doing something confusing, and instead of asking “why is she doing this now?” men ask “why do women always do this?”

Always reblog

femmenace-t:

pervocracy:

postwhitesociety:

hm

I think the “women are mysterious” thing can also come from:

1) Women actually being quite clear, but not telling men what they want to hear.  ”She said she doesn’t want to talk to me?  So many mixed messages and confusing signals!”

2) Women not having cheat codes.  ”I tried being nice, and she didn’t have sex with me.  I tried being an asshole, and she didn’t have sex with me.  Come on, there’s got to be some kind of solution to this puzzle!”

3) Women not being a hive mind.  ”First a woman told me that she likes guys with big muscles.  Then the very next day a woman told me she thinks muscles aren’t attractive at all.  Make up your mind, women!”

4) An individual woman doing something confusing, and instead of asking “why is she doing this now?” men ask “why do women always do this?”

Always reblog

snaps7:

snapslikethis:

queernymphadora:

snapslikethis:

riversnogs:

riversnogs:

That moment in your childhood when you realize that Diagon Alley is just the word diagonally….

image

And the Mirror of Erised is just the word desire backwards.

Didn’t even realize. Does that mean Knockturn Alley is nocturnally (dark/night)?

Yes, and Grimmauld Place is a play on grim old place. 

DUDE.

And Dumbledore is just a dumb old door

How to Survive a trip to IKEA

kedreeva:

  • Never go alone- bring a partner. Travel in pairs
  • Before entering, ensure that someone not entering knows you are going in, and when you expect to be out
  • Before entering, determine the cause of your mission- your mission objective. Bookcase? Couch? Oven? Meatballs? Figure it out
  • Upon entering, locate The Path
  • Do not disengage from The Path until you have reached your mission destination. Many have been lost forever to the wilds of IKEA by not obeying this. Very few are ever located again by the sparse store employees.
  • Upon reaching your mission destination, you may disengage from The Path ONLY when accompanied by your partner (physical contact should be maintained- ie, holding hands, holding shirt sleeve, both holding an end of a rope, etc)
  • When you disengage from The Path to acquire the data for your mission objective (ie, the item number for the bookcase, couch, meatballs, etc), it becomes your partner’s responsibility to maintain visual contact with The Path. Much like weeping angel statues, The Path will move if not actively being watched. This will strand you and your partner in the wilds of IKEA, so ensure you choose a partner wisely.
  • Upon acquiring the mission objective data (ie the item number), navigate back to The Path. You may disengage physical contact with your partner once you have safely returned to The Path
  • Do not leave The Path again. It will naturally end at the warehouse/stock section. This is a long, huge hall with many branches.
  • At the entrance of the warehouse section, acquire a cart if necessary. Using your item coordinates, locate your mission objective. Do not leave the main hallway except for the branch where your item is located. Like The Path, the wilds of IKEA sometimes sneak up on travelers that wander the warehouse section
  • Once your item has been loaded, head to the check out section. Do not touch anything in the boxes along the way. They appear to be full of candles or stuffed animals or useful kitchenware; it is a ruse. They are carnivorous.
  • After checking out, exit to the loading area. Load your item, and leave.
  • Do not look in your rearview mirror as you leave. It shouldn’t pursue you if you don’t look back.